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S for Eero Saarinen

Eero Saarinen was a Finnish American architect and product designer of the 20th century famous for varying his style according to the demands of the project: simple, sweeping, arching structural curves or machine-like rationalism. Saarinen first received critical recognition while still working for his father, for a chair designed together with Charles Eames for the "Organic Design in Home Furnishings" competition in 1940, for which they received first prize. This chair, like all other Saarinen chairs was taken into production by the Knoll furniture company, founded by the Saarinen family friend Florence (Schust) Knoll together with her husband Hans Knoll. Further attention came while Saarinen was still working for his father, when he took first prize in the 1948 competition for the design of the Jefferson National Expansion Memorial, St. Louis, not completed until the 1960s. The competition award was mistakenly sent to his - at that time more renowned - father. The first major work by Saarinen, started together with his father, was the General Motors Technical Center in Warren, Michigan, designed very much in the rationalist Miesian style, in steel and glass, but with the added accent of panels in two shades of blue. With the success of the scheme, Saarinen was then invited by other major American corporations to design their new headquarters: these included John Deere, IBM and CBS. Despite their rationality, however, the interiors usually contained more dramatic sweeping staircases, as well as furniture designed by Saarinen, such as the Pedestal Series. In the 1950s he began to receive more commissions from American universities for campus designs and individual buildings; these include the Noyes dormitory at Vassar, and dormitories, an ice rink and an auditorium at Yale University.

Eero Saarinen

Eero Saarinen by Eero Saarinen used notebook computers used notebook computers

V for Flo Viererbl

The cantina is an organic shaped bird feeder designed by Flo Viererbl. It’s a cool place for birds’ rendez-vous. They can gather and chat together to their hearts delight whilst they enjoy a meal.

Flo Viererbl

Flo Viererbl by Flo Viererbl liquidation auction liquidation auction

W for Frank Lloyd Wright

Frank Lloyd Wright was one of the world's most prominent and influential architects. He developed a series of highly individual styles over his extraordinarily long architectural career and influenced the entire course of American architecture and building. To this day, he remains America's most famous architect.

Frank Lloyd Wright

Frank Lloyd Wright by Frank Lloyd Wright liquidation furniture liquidation furniture

Z for Tarcisio Zani

Tarcisio Zani United States Patent 4204607. A stainless steel cooking utensil is provided with a bottom layer or insert fully enclosed between the base of the cooking utensil and a protective outer base member to eliminate dirt and grease catching spaces. A brazing material is provided all around the bottom layer, which may be made of aluminum and which is disc-shaped, while the peripheral rim of the protective member, which may be made of stainless steel, may be flared upwardly and outwardly.

Tarcisio Zani

Tarcisio Zani by Tarcisio Zani liquidation sale liquidation sale

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The products that were made by the ‘Memphis’ group always had bright colours and bold patterns and were made of plastic laminate surfaces. Sottsass and Memphis were out to make a statement and to break down the barriers between high class and low class. To some, this concept would take a lifetime to happen but to others it offered freedom. The Austrian born designer, Ettore Sottsass was described as ‘a forward looking designer.’ He began his career by studying architecture at Turin Polytechnic. He was a student there for 4 years and proved his talent as he wrote articles on art and interior design with his fellow student Luigi Spazzanpan. On leaving College, Sottsass joined the Italian army for 3 years. After finishing his army duties, he worked for a group of architects and before long set up his own Milan based office in 1947, which he called ‘The Studio.’ Sottsass eventually teamed up with Olivetti as a design consultant and worked with him for over twenty years. While working with Olivetti, Sottsass made many new and different things. He designed a pop-influenced “totem”, a Valentine typewriter, Elea 9003 calculator etc. Sottsass, internationally well known as architect too, has signed important projects all over the world. Along the years of his brilliant career have had the precious cooperation of friends often become, themselves, internationally well known in architecture and design field, like Aldo Cibic, James Irvine, Matteo Thun. Last close collaborators in Sottsass's architectural workshop and firm have been the architects Maurizio Scalzi, Oliver Layseca, Marco Palmieri and Marco Dragoni.

Ettore Sottsass

Ettore Sottsass by Ettore Sottsass donate computers donate computers Arik Levy was born in Tel-Aviv. At the age of 27 Arik leaves behind his studio and surf shop for Europe. 1991 graduates with distinction in Industrial Design from Art Center Europe in Switzerland. Soon after Arik took part in prospective design project and participated in design exhibitions in Japan. Upon returning to Europe Arik introduces his ideas and innovative concepts as well as installations. Arik participated in many exhibitions and manifest in museums, alternative spaces, galleries and fairs where his concepts, design pieces and art work are presented. Arik works both as a scientist and a poet. Innovation, simplicity and experimentation permit him to create the new and translate the concepts into experience both in the art and the design world.

Arik Levy

Arik Levy by Arik Levy dwr furniture dwr furniture

A for Eero Aarnio

Eero Aarnio is a Finnish interior designer, well known for his innovative furniture designs in the 1960s, notably his plastic and fiberglass chairs. Aarnio studied at the Institute of Industrial Arts in Helsinki, and started his own office in 1962. The following year Aarnio introduced his Ball Chair, a hollow sphere on a stand, open on one side to allow a person to sit within. The similar Bubble Chair was clear and suspended from above. Other innovative designs included his floating Pastil Chair , and Tomato Chair. The Eero Aarnio Screw Table had the appearance of a flat head screw driven into the ground. Aarnio's designs were an important aspect of 1960s popular culture, and could often be seen as part of sets in period science-fiction films. Because his designs used very simple geometric forms, they were ideal for such productions.

Eero Aarnio

Eero Aarnio by Eero Aarnio easy street liquidation easy street liquidation

B for Harry Bertoia

Harry Bertoia was an Italian-born artist and modern furniture designer. At the age of 15 he traveled from Italy to Detroit to visit his older brother, however he chose to stay and enrolled in Cass Technical High School, where he studied art and design and learned the art of handmade jewelry making. In 1938 he attended the Art School of the Detroit Society of Arts and Crafts, now known as the College for Creative Studies. The following year in 1937 he received a scholarship to study at the Cranbrook Academy of Art where he encountered Walter Gropius, Edmund N. Bacon and Ray and Charles Eames for the first time. Opening his own metal workshop in 1939 he taught jewelry design and metal work. Later, as the war effort made metal a rare and very expensive commodity he began to focus his efforts on jewelry making, even designing and creating wedding rings for Charles and Ray Eames and Edmund Bacon's wife Ruth. Later in 1943, he married Brigitta Valentiner, and moved to California to work with Charles and Ray for the Evans Product Company. Evans provided technical work for airplane and medical equipment. Bertoia was also drawing training manuals. At this point they began to experiment with molded plywood under the auspices of their Plyformed Products Company, which was later bought out by Evans. With Eero Saarinen they developed a method for making molded plywood splints that would later evolve into processes for designing furniture. Bertoia remained as part of their staff, working on a variety of projects. Three years later he split with the Eames, concerned that his work was not receiving due credit, and preferring to work with metal rather than wood. In the same year he finally became a US citizen. In 1950, he moved to Pennsylvania, to established a studio, and to work with Hans and Florence Knoll. (Florence was also a Cranbrook Graduate). During this period he designed five wire pieces that became known as the Bertoia Collection for Knoll. Among them the famous 'Diamond chair' a fluid, sculptural form made from a molded lattice work of welded steel. In Bertoia's own words, "If you look at these chairs, they are mainly made of air, like sculpture. Space passes right through them." They were produced with varying degrees of upholstery over their light grid-work, and they were handmade because a suitable mass production process could not be found. Unfortunately, the chair resembled an Eames chair so closely that Herman Miller, Eames' distributor, took Knoll to court on the grounds that they were taking wrongful credit for a bent-wire technique owned by the Eames. Herman Miller eventually won and gave Knoll a license to produce the chairs, but knowing that the Eames and Bertoia worked closely for so long, the "genealogy" of inspiration seems difficult and maybe even unnecessary to pin down. New York Hall of Science.

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