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Charles and Ray Eames

Charles and Ray Eames by Charles and Ray Eames furniture hut furniture hut

F for Florence Knoll

Florence Knoll Bassett was an American architect and furniture designer who studied under the likes of Mies van der Rohe and Eero Saarinen. She was born in Saginaw, Michigan as "Florence Schust" and is known in familiar circles simply as "Shu". She graduated from Kingswood School in 1934. In 1943 she joined with her husband Hans Knoll in redirecting Hans's furniture company more toward a modernist, Scandinavian style. After Hans's death, Florence took over as head of Knoll. In 1958 she married Harry Hood Bassett. Her American interpretation of minimalist, rationalist design theories is clearly evident in Knoll's storage pieces. She mixed woods and metals to great effect and added laminates as they became popular. Dressers and desks are all square in design but never lack for quality. Hanging cabinets have glass shelves, sliding doors and drop down fronts that can be used as bars. As an architect, Knoll's most famous creations are the Connecticut General Life Insurance building in Bloomfield, Connecticut and the interior of the CBS Building in New York City.

Florence Knoll

Florence Knoll by Florence Knoll lets go recycle lets go recycle

G for Eileen Gray

Eileen Gray was an Irish lacquer artist, furniture designer and architect now well-known for incorporating luxurious lacquer work into the stark International Style aesthetic. She first studied painting at London's Slade School of Art. She eventually left painting to study lacquer under the guidance of lacquer craftsman, Sugawara. In 1913, she held her first exhibition, showing some decorative panels at the Salon des Artistes Décorateurs. She combined lacquer and rare woods, geometric abstraction and Japanese-inspired motifs into her work. It attracted the attention of Jacques Doucet, an art connoisseur and collector. He commissioned a few pieces – her only signed and dated creations. In 1924 Gray and Badovici began work on the house E-1027 in Roquebrune, Cap Martin in southern France (near Monaco). The codename stands for the names of the couple: E for Eileen, 10 for Jean (the tenth letter of the alphabet), 2 for Badovici and 7 for Gray. L-shaped and flat-roofed with floor-to-ceiling windows and a spiral stairway to the guest room, E-1027 was both open and compact. Gray designed the furniture as well as collaborated with Badovici on its structure. Her circular glass E-1027 table and rotund Bibendum armchair were inspired by the recent tubular steel experiments of Marcel Breuer at the Bauhaus (who had been inspired, in turn, by Mart Stam). le Corbusier was quite impressed by the house, and built a summer house behind the house. Le Corbusier left his hark on the building in the form of several colourful wall murals.

Eileen Gray

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Marcel Breuer

Marcel Breuer by Marcel Breuer Cisco liquidation Cisco liquidation George Nelson was one of the founding fathers of American modernism. George Nelson studied Architecture at Yale University, where he graduated in 1928. He also received a bachelor degree in fine arts in 1931. A year later while preparing for the Paris Prize competition he won the Rome prize. With Eliot Noyes, Charles Eames and Walter B. Ford. Based in Rome, he travelled through Europe where he met a number of the modernist pioneers. A few years later he returned to the U.S.A. to devote himself to writing. Through his writing in "Pencil Points" he introduced Walter Gropius, Mies van der Rohe, Le Corbusier and Gio Ponti to North America. At "Architectural Forum" he was first associate editor (1935- 1943) and later consultant editor (1944-1949). He defended sometimes ferociously the modernist principles and irritated many of his colleagues who as "industrial designers" made, according to Nelson too many concessions to the commercial forces in industry. By 1940 George Nelson had drawn popular attention with several innovative concepts. In his post-war book: Tomorrow's House, for instance he introduced the concept of the"family room". One of those innovative concepts, the "storagewall" attracted the attention of D.J. De Pree, Herman Miller's president. In 1945 De Pree asked him to become Herman Miller's design director, an appointment that became the start of a long series of successful collaborations with Ray and Charles Eames, Harry Bertoia, Richard Schultz, Donald Knorr and Isamu Noguchi. Although both Bertoia and Noguchi expressed later on regrets about their involvement, it became a uniquely successful period for the company and for George Nelson. He set new standards for the involvement of design in all the activities of the company, and in doing so he pioneered the practice of corporate image management, graphic programs and signage. George Nelson's catalogue design and exhibition designs for Herman Miller close a long list of involvements designed to make design to the most important driving force in the company. From his start in the mid-forties to the mid-eighties his office worked for and with the best of his times. At one point Ettore Sottsass worked at his office. He was without any doubt the most articulate and one of the most eloquent voices on design and architecture in the U.S.A. of the 20th century. He was a teacher and he did write extensively, organized conferences like the legendary Aspen gatherings and published several books. Among the best known designs are his marshmallow sofa, the coconut chair, the Catenary group, his clocks and many other products that became milestones in the history of a profession that he helped to shape.

George Nelson

George Nelson by George Nelson Cisco liquidation Cisco liquidation Mario Bellini is an Italian industrial designer and architect. Mario Bellini is well known for his CAB furniture, the classic Olivetti typewriter and many other highly regarded industrial designs. He is also an accomplished architect, designing buildings throughout Europe, Japan, the United States and the UAE. He was also responsible for the design of the Lamy Persona pen. The TCV-250 video display terminal, designed by Mario Bellini in 1966 for Olivetti, is in the Museum of Modern Art's design collection. Bellini studied at the Polytechnic in his native city of Milan (Politecnico di Milano), from where he graduate in 1959. He opened his first design studio after graduation, where he was contracted by some of the largest Italian businesses including Olivetti, Artemide, B&B Italia, Cassina, Erco

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