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Charles and Ray Eames

Charles and Ray Eames by Charles and Ray Eames furniture hut furniture hut

F for Florence Knoll

Florence Knoll Bassett was an American architect and furniture designer who studied under the likes of Mies van der Rohe and Eero Saarinen. She was born in Saginaw, Michigan as "Florence Schust" and is known in familiar circles simply as "Shu". She graduated from Kingswood School in 1934. In 1943 she joined with her husband Hans Knoll in redirecting Hans's furniture company more toward a modernist, Scandinavian style. After Hans's death, Florence took over as head of Knoll. In 1958 she married Harry Hood Bassett. Her American interpretation of minimalist, rationalist design theories is clearly evident in Knoll's storage pieces. She mixed woods and metals to great effect and added laminates as they became popular. Dressers and desks are all square in design but never lack for quality. Hanging cabinets have glass shelves, sliding doors and drop down fronts that can be used as bars. As an architect, Knoll's most famous creations are the Connecticut General Life Insurance building in Bloomfield, Connecticut and the interior of the CBS Building in New York City.

Florence Knoll

Florence Knoll by Florence Knoll lets go recycle lets go recycle

G for Eileen Gray

Eileen Gray was an Irish lacquer artist, furniture designer and architect now well-known for incorporating luxurious lacquer work into the stark International Style aesthetic. She first studied painting at London's Slade School of Art. She eventually left painting to study lacquer under the guidance of lacquer craftsman, Sugawara. In 1913, she held her first exhibition, showing some decorative panels at the Salon des Artistes Décorateurs. She combined lacquer and rare woods, geometric abstraction and Japanese-inspired motifs into her work. It attracted the attention of Jacques Doucet, an art connoisseur and collector. He commissioned a few pieces – her only signed and dated creations. In 1924 Gray and Badovici began work on the house E-1027 in Roquebrune, Cap Martin in southern France (near Monaco). The codename stands for the names of the couple: E for Eileen, 10 for Jean (the tenth letter of the alphabet), 2 for Badovici and 7 for Gray. L-shaped and flat-roofed with floor-to-ceiling windows and a spiral stairway to the guest room, E-1027 was both open and compact. Gray designed the furniture as well as collaborated with Badovici on its structure. Her circular glass E-1027 table and rotund Bibendum armchair were inspired by the recent tubular steel experiments of Marcel Breuer at the Bauhaus (who had been inspired, in turn, by Mart Stam). le Corbusier was quite impressed by the house, and built a summer house behind the house. Le Corbusier left his hark on the building in the form of several colourful wall murals.

Eileen Gray

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Charles Eames briefly studied architecture at Washington University in St. Louis on an architectural scholarship. He proposed studying Frank Lloyd Wright to his professors, and when he would not cease his interest in modern architects, he was dismissed from the university. In the report describing why he was dismissed from the university, a professor wrote the comment "His views were too modern." In 1941, Charles married his Cranbrook colleague Ray Kaiser, who was born in Sacramento, California. He then moved with her to Los Angeles, California, where they would work and live for the rest of their lives. In the late 1940s, as part of the Arts & Architecture magazine "Case Study" program, Ray and Charles designed and built the groundbreaking Eames House, Case Study House #8, as their home. Located upon a cliff overlooking the Pacific Ocean, and constructed entirely of pre-fabricated steel parts intended for industrial construction, it remains a milestone of modern architecture.

Charles Eames

Charles Eames by Charles Eames Champions grill Champions grill Marcel Lajos Breuer was an architect and furniture designer, was an influential modernist of a jewish decent. One of the fathers of Modernism, Breuer showed a great interest in modular construction and simple forms. Known as Lajkó, Breuer studied and taught at the Bauhaus in the 1920s, stressing the combination of art and technology, and eventually became the head of the school's cabinet-making shop. He later practiced in Berlin, designing houses and commercial spaces, as well as a number of tubular metal furniture pieces, replicas of which are still in production today. Perhaps the most widely-recognized of Breuer's early designs was the first bent tubular steel chair, later known as the Wassily Chair, designed in 1925 and inspired, in part, by the curved tubular steel handlebars on Breuer's Adler bicycle. Despite the widespread popular belief that the chair was designed for painter Wassily Kandinsky, Breuer's colleague on the Bauhaus faculty, it was not; Kandinsky admired Breuer's finished chair design, and only then did Breuer make an additional copy for Kandinsky's use in his home. When the chair was re-released in the 1960s, it was designated "Wassily" by its Italian manufacturer, who had learned that Kandinsky had been the recipient of one of the earliest post-prototype units.,

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